barbara-frenz.com
TEXTS (TWO)
Interview with Buffalo born drummer and band leader Greg Paul (05/2023), AllAboutJazz.com
Interview with Chicago born bassist and photographer Leonard E. Jones (01/2023), AllAboutJazz.com
Article about Buffalo, NY, as a place of music history (04/2022), AllAboutJazz.com
Interview with New York based trombonist Clifton Anderson (11/2020), AllAboutJazz.com
Interview with US-American, Amsterdam based pianist Burton Greene (04/2020), AllAboutJazz.com
Interview with New York based multi-instrumentalist Casey Benjamin (2018/19), AllAboutJazz.com (March 6 2019).
Interview with Amsterdam based drummer Clarence Becton (Jan 01 2016), AllAboutJazz.com (Jan 19 2017).
Phone interview with New York trombonist Clifton Anderson (August 2014), in: Jazz Podium, issue 63, November 2014, pp. 36-37. (English translation)
Review of: Profound Sound Trio – Andrew Cyrille, Paul
Dunmall, Henry Grimes, Opus De Life, Porter Records, #PRCD –
4032, Jazz Podium,
issue 58, September 2009, p.
72 (English translation by J. Bradford Robinson).
Press Release (2007) on: Henry Grimes, Signs Along The Road, Poems, Cologne 2007, jazzitalia.net (April 28 2007).
Review
(2003; unpublished) of: Okwui Enwezor
et al. (ed.),
Experimente mit der
Wahrheit: Rechtssysteme
im Wandel und
die Prozesse der Wahrheitsfindung und Versöhnung (Experiments with
Truth: Transitional
Justice and the Process of
Truth and Reconciliation).
Dokumenta
11_Plattform2, Ostfildern-Ruit 2002.
Backspin - Collaborative
work by Thomas Rösch (textual concept) and Barbara Frenz (visual
concept), edition of 20 copies respectively: Original gingerbread
heart ca. 45 x 35 cm and photography of the same subject 30 x 42 cm,
2002, Europäische ZentralGalerie, Frankfurt am Main (not available anymore)
In 2007
'Backspin' has been published in German newspaper die tageszeitung (taz), Saturday/Sunday, 1./2. September
2007, taz-Dossier <30 years of German Autumn> (p. 2-12), p. 9 (as an illustration to: Christian Schneider, Der
innere Todfeind. Die Sprache der RAF und ihres Umfelds zeigt vor allem
eines: den innigen Wunsch, sich von der eigenen Herkunft loszusagen)
.